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whom he loved even more. Adam Lind had always had an inclination for trick photography and this time, before shooting himself in a Montecarlo hotel (on the night, sad to relate, of his wife's very real success in Piker's “Narcisse et Narcette”) , he geared and focussed his camera in a corner of the drawing room so as to record the event from different angles. These automatic pictures of his last moments and of a table's lion-paws did not come out to[o] well; but his widow

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卻愛(ài)得更深的男孩。亞當(dāng)·林德向來(lái)偏好特技攝影，這次在蒙特卡羅的一家旅館開(kāi)槍自殺之前（說(shuō)起來(lái)令人傷感，那天晚上恰逢他妻子表演的派克的《那喀索斯與那喀塞特》大獲成功），他在客廳的一個(gè)角落安置好照相機(jī)，調(diào)好焦距，以便從不同的角度來(lái)記錄這一事件。他自動(dòng)拍攝的人生的最后鏡頭以及餐桌獅爪腳的效果并不太好；可他的遺孀