There is a certain daily paper in England towards which I feel very much as Tom Pinch felt towards Mr. Pecksniff immediately after he had found him out. The war upon Dickens was part of the general war on all democrats, about the eighties and nineties, which ushered in the brazen plutocracy of to-day. And one of the things that it was fashionable to say of Dickens in drawing-rooms was that he had no subtlety, and could not describe a complex frame of mind. Like most other things that are said in drawing-rooms, it was a lie. Dickens was a very unequal writer, and his successes alternate with his failures; but his successes are subtle quite as often as they are simple. Thus, to take "Martin Chuzzlewit" alone, I should call the joke about the Lord No-zoo a simple joke: but I should call the joke about Mrs. Todgers's vision of a wooden leg a subtle joke.

And no frame of mind was ever so selfcontradictory and yet so realistic as that which Dickens describes when he says, in effect, that, though Pinch knew now that there had never been such a person as Pecksniff, in his ideal sense, he could not bring himself to insult the very face and form that had contained the legend. The parallel with Liberal journalism is not perfect; because it was once honest; and Pecksniff presumably never was. And even when I come to feel a final incompatibility of temper, Pecksniff was not so Pecksniffian as he has since become. But the comparison is complete in so far as I share all the reluctance of Mr. Pinch. Some old heathen king was advised by one of the Celtic saints, I think, to burn what he had adored and adore what he had burnt. I am quite ready, if anyone will prove I was wrong, to adore what I have burnt; but I do really feel an unwillingness verging upon weakness to burning what I have adored. I think it is a weakness to be overcome in times as bad as these, when (as Mr. Orage wrote with something like splendid common sense the other day) there is such a lot to do and so few people who will do it.

So I will devote this article to considering one case of the astounding baseness to which Liberal journalism has sunk.

Mental Breakdown in Fleet Street One of the two or three streaks of light on our horizon can be perceived in this: that the moral breakdown of these papers has been accompanied by a mental breakdown also. The contemporary official paper, like the "Daily News" or the "Daily Chronicle" (I mean in so far as it deals with politics), simply cannot argue; and simply does not pretend to argue. It considers the solution which it imagines that wealthy people want, and it signifies the same in the usual manner; which is not by holding up its hand, but by falling on its face. But there is no more curious quality in its degradation than a sort of carelessness, at once of hurry and fatigue, with which it flings down its argument--or rather its refusal to argue.

It does not even write sophistry: it writes anything. It does not so much poison the reader's mind as simply assume that the reader hasn't got one.