烏茲別克斯坦國際論壇宮殿
Palace of International Forums Uzbekistan

The Palace of International Forums (Uzbekistan) stands on Amir Timur Square in the very centre of Tashkent. The country's most important representative building is designed as a platform for hosting acts of state, congresses, conferences and other cultural highlights. Our task was to give the interior a contemporary form, while incorporating elements from traditional Uzbek architecture. The result is a cosmopolitan, communicative interior clothed in exclusive materials. Planar ornamentation, organic movement, crystals, precious metals and a fascinating interplay of artificial and natural light all become a source of inspiration.

FOYER

Classical in its external appearance, the building prepares for the modernity within through the extensively glazed facade. Behind illuminated facade columns of Thassos marble, a similarly weighty epochal semicircular Swarovski chandelier dominates the main foyer. Gigantic and contrastive, the two structural elements of columns and chandelier, conjunctions of various architectural traditions, introduce syntheses of Western and Eastern culture. Three marble portals with carved wooden doors lead into the vestibule. The generosity of the main foyer with a ceiling height of over 16 metres and an area of 2,500 square metres is deliberately staged and atmospherically compact. The spectacular chandelier with its nine-metre height and 23-metre length outlines the longitudinal axis of the foyer.

設計師：Peter Ippolito、Steffen Ringler、Tilla Gold berg、Silke Schreier、Swetla na Wangner、Christine Ackermann、Alexander Fehre、Alexander Fegre、Christian Kirschenmann、Tim Lessmann、Jakub Pakula、Hakan Sakarya、J?rg Schmitt、Moritz K?hler、Daniea Schr?der、Julia Weigle、Frank Famer、Axel Bertram、Elena Nuthmann-Maysyuk、Klaus-Dieter Nuthmann

參與設計：Pfarr é、München、Einkaut & Logistik、Stuttgart、Theapro Planungsgesellschaft、München、OS-Plan、Stuttgart

設計公司：伊波利托·弗萊茨集團

項目地點：烏茲別克斯坦

建筑面積：40.000平方米

攝影師：Zodey Braun、Andreas J.Focke

AUDITORIUM

Six portals of highly-polished ebony provide entry into the Auditorium. Subdivided horizontally into two sections, the gigantic hall is a place of inspiration. With a height of 48 metres and a diameter of 50 metres, it is of imposing capacity. Thanks to precise lighting technology, the bands of florescent and LED lighting that run off-set around the rings transform the space into a weightless body of light as required. The stage mechanics and technology also meet the highest of demands. Cutting-edge technology provides optimal conditions for symphonic concerts, ballet or theatre performances, as well as congresses and conferences.

VIP FOYER

The observer encounters integrated design themes everywhere, throughout the building. A striking specific example is provided by the refractions of light in the VIP Foyer. Hanging from rectangular, indirectly-lit cupolas, 18 Swarovski chandeliers dominate the atmosphere. An supersized folded wall of leaf-palladium continues the play of light. Polished marble floors deepen the perspectives of this room of light. As a further integrated detail, the mirror elements double the spatial axes along the windows, as already seen in the foyer.

BANQUETING HALL

Aligned along the middle axis, stage and presidential area are visually connected in the Banqueting Hall. A further consolidating element is the precious nacre wall rising dramatically to the ceiling. To the left and right of the stage, optically undulating walls coated with Swarovski wallpaper strive toward the presidential area. This undulating wall structure appears as a continuation of the stage curtain and produces additional depth through the effects of reflection.

CONFERENCE ROOM

The room for international summits is dominated by an exclusive round table with a diameter of 10 metres. Linear light rings of sycamore and dark rings of ebony are inlaid in the made-to-measure walnut piece of furniture. In its presence, the table provides the representative and stoic focus for work.

RESTAURANT

The 28-metre-long buffet is placed in front of a wall of ebony. The free-flow layout, designed in stainless steel and glass, can serve up to 3,000 guests. The preparation of the dishes is carried out with energy-effcient kitchen technology and gastronomic equipment of the premium segment. The representative hospitality technology with several cold and warm kitchens, in-house confectionery, butchery as well as a presidential kitchen with attached laboratory covering more than 1,700 square metres is augmented by a further 3,200 square metres of wide-ranging production and technical utility rooms to guarantee optimal support.

烏茲別克斯坦國際論壇宮殿矗立于塔什干市中心的阿米爾提姆爾廣場(Amir Timur Square)上，是該國最重要的代表性的建筑，它被設計成舉辦國家活動、各種會議和其他重要文化活動、代表大會的平臺。我們的任務是賦予內政一個當代的形式，同時融入了傳統的烏茲別克斯坦建筑元素。其結果打造是一個由專用的材料包裹著的世界性的、長于溝通的內政。平面裝飾、有機運動、水晶、貴重金屬和人工燈光以及自然光的相互作用所產生的迷人景象都成為靈感的源泉。

門廳

古典的外觀，此建筑準備通過被廣泛運用的玻璃幕墻來展現其內在的現代性。明亮的幕墻后矗立著Thassos大理石柱，同樣重要的具有劃時代意義的半圓形水晶吊燈裝飾著整個大廳。石柱和吊燈，兩種不同的建筑元素形成巨大的反差，各種建筑構件傳統的結合導致了東西方文化的融合。帶雕刻木門的三個大理石入口直通大廳。高16米，占地2500平方米的大廳經過精心設計，其慷慨大氣之勢極其濃厚。9米高和23米長的吊燈，勾勒出了大廳的縱向軸線，一片壯觀景象。

禮堂

六個高拋光黑檀木門是禮堂入口。巨大的大廳橫向分為兩部分，是激發靈感的地方。高48米，直徑50米，容量極其巨大。由于精確的照明技術，熒光燈和LED照明燈發出的光束將其打造成光的失重空間。舞臺機械和技術也達到最高水平。尖端技術為交響音樂會，芭蕾舞和戲劇表演，以及代表大會和會議創造最佳條件。

貴賓休息室

仔細觀察就會發現整個建筑內集成設計的主題無處不在。一個突出的例子就是貴賓休息室中的光折射。間接照明的沖天爐，垂直懸掛的18個施華洛世奇水晶吊燈營造出整個氣氛。一個超大型的折疊葉鈀墻充分利用了燈光效果，拋光大理石地板搭配深房間光線的景致。為了進一步整合細節，鏡面元素讓空間軸沿窗戶增加一倍，正如已經在大廳看到的一樣。

宴會廳

沿中軸線，可以看到舞臺和主席臺與宴會廳是連在一起的。作為進一步鞏固元素，珍貴的珍珠層壁直升天花板。用施華洛世奇壁紙裝飾的波狀起伏的墻壁從舞臺左右兩邊一直伸向主席臺。波狀起伏的墻壁看起來就像舞臺連綿的帷幕，并通過反射這種效果被再次加深。

會議室

國際峰會會議室主要放置了一個10米直徑的特制圓桌。懸鈴木的明線環和黑檀木的暗線環被鑲嵌在精心制作的胡桃木家具中。該桌子的作用就是讓與會人員專注于工作。

餐廳

28米長的自助餐臺擺放在黑檀木墻前面。自由流動的布局，由不銹鋼和玻璃建成的餐廳能容納3000名客人。美味的菜肴經由節能廚房技術和高端烹飪設備制作而成。冷盤、熱食、自制甜食、屠場以及帶有面積超過1700平方米實驗室的總統廚房，這些都是富有代表性的食宿招待技術，同時他們的功能被進一步放大，由一個3200平方米的生產和技術運作室為其提供最佳支持。